BIOGRAPHY


The Postmodern movement had a great influence on photography in the past several years. There were no limits to the way a picture could be captured. The Postmodernists try and focus subject matter on objects and forms that are not obvious to the eye. The camera can distort and give different and obscure angles that make us view subject matter differently. Kruger's work is greatly influenced by the Postmodernism. Born in Newark, New Jersey in 1945, Barbara Kruger is a very outgoing artist whose work is usually compiled photos or messages from someone else's work. She is considered a feminist conceptual artist as well as a graphic designer. Her ideas and concepts have been portrayed in many different ways. She has experimented with soft sculpture, painting and photgraph showing that there is no limit to her creativity. Like most Modern artists, she sets very little rules when creating art. Most importantly, her artwork is designed to spark an immediate interest and make the audience read a caption and see the images that relate to it.
For example, in "Your body is a battleground" the viewer can't help but read the bold letters with an inverted background color. She is a very accomplished artist who has not only done pictures, but film, audio as well as advertisements for
companies. Her work also focuses on politics, social movements, as well as societal forces. Her works show a powerful opinion towards political concerns and can be viewed from billboards, cover pages of magazines and even train station platforms. Like many artists of the time, Kruger wanted to relate her work to current social questions. These issue orientated artitst believed that if they keep there art on the focus of aesthetic matter, then their works will only be a distraction from true life concerns. She is a great example to the Post modern era. We have combined a great variety of her greatest works in the Kruger exhibit. Enjoy!

Exhibit Statement


Barbara Kruger is noted for large-scale works that combine images from popular culture with short, pointed texts. Kruger’s works are aggressive and confrontational and frequently deliver feminist messages. Barbara Kruger’s works are out of the ordinary and she has no limits to her imagination.

Barabara Kruger Exhibit

Gallery Works

"When I hear the word culture I take out my checkbook"

"When I hear the word culture I take out my checkbook"
1985.Digital Image. Printworks. Her epiphany is apparent in the piece "When I hear the word culture I take out my checkbook." This is a picture of a close-up of a ventriloquist's dummy, and a small caption at the bottom saying "We mouth your words" This gives the idea of power conflict and struggle. It expresses Marxist theory that ideas of the society are handed down from the Ideology of Racism and of the Dominant class.

"We don't need another hero!"

"We don't need another hero!"
1986.Digital Image. Printwork. features Norman Rockwell image from Saturday Evening Post of a woman looking at a boys muscles in admiration. The subject matter hinting towards the "young boy" being strong enough for war. He is strong and a hero, however the icon suggests that we don't need our boys being hero's for us. They are not men yet.

"Buy Me, I'll change your life!"

"Buy Me, I'll change your life!"
1985. In Flash Art Maganzine. Digital Image. Kruger is well known for her creation of art that communicates the the viewer in the best possible way. This is another printwork sign that is featured in the Kruger Gallery.The subject matter focuses on what society believes to create a happy life. Kruger basically states what is being sold in the advertisement is not real world products but an imagination of what society thinks gives you a happy life. Kruger contradicts the point of the advertisement with Bold statements

Whose justice? Whose morality? Whose community? Whose family? Whose values?

Whose justice? Whose morality? Whose community? Whose family? Whose values?
for Newsweek magazine. 8 June 1992. Photolithograph, composition and sheet: 10 3/4 x 8 1/16".Kruger worked as a graphic designer for prominent artists starting in the late 1970's. Her color schemes were normally red, black and white bold text blocks over the photographs pairing the two together symbolically. She gave great ideological messages about politics and societal concerns. This is a prime example. She uses magazines, books, matchbook covers, coffee mugs and many others to display her message as well.

Rage + Women = Power

Rage + Women = Power
January/February 1992. Photolithograph, composition and sheet: 10 3/4 x 8 3/8". Yet another great example of Kruger's work by using mass media to display her feminist views.

I shop therefore I am

I shop therefore I am
1990. Photolithograph on paper shopping bag, composition: 12 3/8 x 9 13/16" This work was silkscreened onto a shopping bag and used vinyl as well. The symbolic reference here suggests a struggle for power and control. Interestingly some of the advertisements she is supposed to be favoring, she is actually debating in a sense.

I hate myself and you love me for it

I hate myself and you love me for it
cover for Esquire magazine. 1992. Photolithograph, composition and sheet: 10 3/4 x 9". Shows the ideas of weakness and ugliness.

Untitled (You Invest in the Divinity of the Masterpiece).

Untitled (You Invest in the Divinity of the Masterpiece).
1981)Digital Image.Photostat, 71 3/4 x 45 5/8".Kruger Combines a black–and–white replication of Michelangelo’s famous painting with text over the photograph.She symbolizes the paralleling similiarities between the Biblical story of creation and that of art. Kruger's background in graphic design is evident in the way she inverts bold text over the image. By using the word "You," she implicates the symbolism of religion and art.

My Pretty Pony

My Pretty Pony
My Pretty Pony by Stephen King. 1988. Illustrated book with stainless steel cover, digital clock, nine lithographs, eight screenprints, and one lithograph with screenprint, page (each): 20 x 11 7/8". The story is about the experiences of the time.

Don't be a Jerk

Don't be a Jerk
(1996). Screenprint, Sheet: 17 1/2 x 50".
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